5 Tips for Choosing an Area Rug

Hand Knotted 100% Himalayan wool. Tibetan rug, original design, No Child Labor - GOODWEAVE member.

Who better to ask about how to choose an  area rug then an area rug designer?

In 2006 Barbara Jacobs, Color Consultant/Designer of the IACC, International Association of Color Consultants/Designers, and  formerly of Color Marketing Group (CMG) started her own line of hand-knotted Tibetan rugs, Silk Road Weaves. Barbara’ can be found http://www.integralcolor.com/ .

Since the Stone Age, humans have used some type of “area rug” in all types of dwellings to create comfort and to represent social status in the community.  What has changed?

You now have more options than ever before to select from a variety of materials, fabrication methods, design style, and cost.

How to make the best choice possible, for use today and investment for the future?

Even if you have many sources and ideas about using area rugs, there are a few details to consider that are important in determining which is best for your needs.

1. For long-term use and the most beautiful appearance over time, select the highest quality construction and materials that your budget will allow.

Tufted rugs: short-term use

  • Regardless of the design, Tufted rugs, whether machine or hand-tufted, are less expensive.
  • Great for children’s rooms or other areas where budget is more important than long-term quality and beauty
  • “Machine-tufted” are the lowest of the group, and the least durable.
  • “Hand Tufted” is still a mechanical process.

Hand Knotted: artistry for your floors. look for

  • “Cross-Weaving,” the traditional Tibetan hand knotting method that “locks” yarns in place. More time-consuming and demanding than the uncrossed-style, it’s done only by the most experienced adult artisans.
  • “Uncrossed weaving” does not lock the knots. It’s possible with use for the weaving to ‘unravel’ almost as if pulling a sweater apart.
  • You may not be able to tell the difference. But the higher quality Tibetan rugs should be made in the “Crossed-weave” method, which is more durable.

Fringe and actual size

  • The style of most contemporary Tibetan rugs does not show a fringe. But, the fringe should be part of the actual construction because it’s an extension of the warp, not “tacked on.” Look for it, tucked under a bound edge.
  • Rug size may vary a bit. If the rug appears too mechanically precise, it may not be hand-knotted.

The Material Difference

  • Long-fiber Himalayan wool is preferable for its high lanolin count and stronger fibers that become more lustrous with use, with innate ‘stain-resisting’ quality.
  • Lower quality wools with shorter fibers will shed.
  • Silk or viscose: adds shimmer.
  • Plant fibers: Jute, hemp, linen, allo, and more.
  • Undyed fibers create an interesting natural style and textural effect.

2. Knot count
Knots most often seen in Tibetan rugs are 50, 80, or 100 “knots per inch.” Depending on fiber density and pile thickness, fewer knots create less detail and are usually less formal looking. Detailed designs of Oriental/Persian rugs have a higher knot count and usually have lower pile.

  • Highly detailed designs would need to be made in a minimum of 100 knots per inch
  • The detailed designs of Persian rugs require a much higher knot count.
  • Look at the back of the rug to confirm true knot type.

3. Color, Shape, Pattern
Light reflects differently from one end or the other, showing ‘lighter’ or ‘darker’ colors depending where you stand. View your rug selections on the floor, from all angles, to get a truer sense of the colors, textures, and scale of the pattern.

Oval rugs are gaining in popularity because they can adapt to a variety of furniture layouts and room sizes. You can also find—or have custom made—an oval rug with or with a border or center medallion, or even in a design to coordinate with a rectangular rug in the same room or adjacent space.

4. What type? From the showroom floor, or custom? A true antique, or contemporary? Choose the look and the style that suits your needs.

Just a few are “Oriental” weave (of various origins); Turkish; Flat weave, as a “Soumak” and even in Tibetan rugs (that’s reversible), Navajo style; Hooked; “Tribal;” Rag or braided; Tibetan.

5. It Matters.
Child labor continues as a serious problem in the carpet industry, as many of the low-priced rugs illustrate.  Ask for—and get—a rug that’s certified by GOODWEAVE, as having used no child labor. A true GoodWeave-certified rug will have a specially numbered GoodWeave label on the back side. A wide range of rug companies, making both hand tufted and hand-knotted qualities, are certified by GoodWeave.


Ceramic Tile Education Foundation Provides Installation Certification

Certifying tile installers can only help the flooring industry. The bar has been raised by consumers as well as the industry and it’s  time to recognize those who are not only talented but committed to their profession. I thought it would be a good time to get an update on the industry.

I was lucky enough to get an  Interview with Scott Carothers, Executive Director of the CTEF.

Scott, what is the Ceramic Tile Education Foundation?

The Ceramic Tile Education Foundation (CTEF) provides education and installer certification for professionals working in the ceramic tile and stone industry. We are a non-profit organization supported by stakeholders from all industry segments, including contractors, manufacturers, and the major domestic and international trade associations.

How did you get to the CTEF? 

I was hired to institute a tile certification for the CTEF. Certification is necessary to differentiate installers and to help customer make better hiring decisions.

Why has certification become so important to  consumers?

Consumers  have never  had a way to distinguish one installer from another. They never knew who had the knowledge and the right experience. Now they can go on our website and verify the installers. It’s voluntary but we have to find a way to   raise the bar. There are 155 questions that involve knowledge and standards as well as best practices for our industry.

How does the certification work?

This is not a training program, it’s a way to verify the skills that the installer already has. The installer registers on-line and has a study guide with the ANSI standards and the TCNA handbook. They can take the online classes as many times as they like before they  take the written test. Someone from the CTEF like myself can go to their hometown and evaluate their hands on skills.

Tell us a little about the C.T.E.F.

The board of directors consists of 2 members of the Tile Council, 2 members from the National Tile Contractors Association (TCNA)

1 member from the Tiles of Spain, One from the Italian manufacturers, 2 manufacturer reps and one from the C.T.D.A.

The mission from the mid 90’s was to provide non-proprietary training and education to the ceramic tile industry. this eventually  grew into a certification or validation of skills and knowledge of successful tile installers from the USA. The program is brand new but we are getting great results.

The A&D community is using some of our specifications in their plans and many of the Universities are requiring that the tile installers be certified.

We hope to have 700 installers certified by the end of the year. We are hoping that it will become a standard and that all installers will have to be certified. This will mean less problems for consumers and for the industry.

For further information on the certification program, contact Scott Carothers below.

Scott M. Carothers, Executive Director,Ceramic Tile Education Foundation

email: scott@tilecareer.com

Phone: 864-222-2131, Fax: 864-222-1299, Cell: 814-931-8453